
Shaping Holiness
Materiality - Rituality - Aethetics - Theology of Religious Writings
How does writing become holy? This question lies at the centre of the research programme of Shaping Holiness. Rather than treating sacredness as an inherent property of texts, the Centre investigates the historical, material, ritual, aesthetic, and intellectual processes through which writing acquires religious authority and becomes a locus of divine presence, communal memory, and cultural identity. Holiness is understood not as a fixed quality but as the outcome of practices of making, interpretation, performance, and transmission through which societies continually produce and negotiate the sacred.
A particular focus of the Centre lies on the creating of holiness through writing. The production of holy writings has rarely been regarded as a merely technical undertaking. Acts of inscription are often governed by ritual prescriptions, ethical obligations, aesthetic conventions, and theological reflection, transforming the work of scribes, calligraphers, artisans, and repairer into practices of religious significance. The making of scrolls and codizes, the selection of materials, the preparation of inks and pigments, and the crafting of scripts and bindings all participate in processes through which ordinary matter is invested with extraordinary meaning.
To investigate these processes, Shaping Holiness brings together four complementary research perspectives.
Holiness is not inherent in writing; it is made through writing.
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Shaping Holiness is currently being developed as an interdisciplinary research initiative dedicated to the comparative study of holy writings and the processes through which they acquire religious significance. In its present phase, the primary objective is to establish the intellectual, organisational, and institutional structures that will support long-term research and international collaboration. Particular emphasis is placed on creating the framework for an International Fellowship Programme, which is intended to become a central pillar of the Centre’s activities. Scheduled to commence in Summer 2027, the programme will bring together scholars from around the world and at all stages of their academic careers—from doctoral researchers and postdoctoral fellows to established academics—in a shared environment of interdisciplinary exchange. Rather than prescribing specific annual themes, the Fellowship Programme will provide participants with the intellectual space to pursue their own research projects within the broader framework of the Centre’s interest in the materiality, rituality, aesthetics, and theology of holy writings.

20.-24.07.
Workshop
The Ethics of the Scribe:
Writing as Sacred Act

10.-14.08.
Workshop
Pictorial Representations of Sacred Writings in Visual Arts

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Open Lecture
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20.-24.07.
10.-14.08.
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